Your beginnings:I have under taken a number of creative processes exploring beginning. I am going to discuss two artistic projects that involved thinking about beginnings. Then maybe you can see if there is anything to learn from these practice-based examples that can be applied to the experience of your beginning the new term. Below I discuss some of this.
But first something about beginning MAPP programmes at MDX. All you need in terms of information is on your Programme page. This is quite a different environment from the application process (which is on-line also). The Programme Page is on UniHub which is behind the University Firewall, so you need your University pass codes. It is in one place. We have tried to make it as simple as possible – like a one stop with folders for all the elements of the course on the same page. You need to be familiar with getting to and reading the UniHub for course information. Next you also need to be familiar with getting to the Blogs which are on the internet in general and open beyond the University firewall, (especially the Supervisors blogs which have up-dates across the period of the course, and then the blogs of other students which is where the conversation happens.) As you start, start with these tasks (UniHub page and Blogs). Being in touch and feeling you have all the information you need is key to starting confidently. About beginnings.Working as an artist-in-school: during some project supporting arts in school curriculum I work with other artists. After the projects, we had a de-brief discussion. We talked about how our projects went in the schools we were in. The main point that seemed to come out of the discussion was that we all experienced more than one beginning. There was the official date we first went to the school – the official beginning. There was the moment when people in the school started to get on board, get used to us being there – the energetic beginning.Then there was also the point when things started to shift or change or be made – the effective beginning.There could be more, maybe think of kinds of beginnings you have experienced. Please describe them in the comments below. All three beginnings I describe above were important. They all supported the others happening. From this example applied to BAPP I think the important point is there is a start date September 17th 2018. Because it is Distance Education not much might feel like it happened. Not much might change – but that doesn’t mean you shouldn’t notice its begun don’t wait for the energetic beginning to happen because you need to start engaging with the course (start) in order to get to the energetic beginning. Even if you’re not in the flow yet you still have to start doing something it will flow into the energetic beginning. The effective beginning might happen in September or it might happen in two years time!! Again, you can’t wait for it to happen before you ‘start’ doing anything. I learnt from the arts-in-schools experiences that You have to start to start.
Another time I thought about beginnings was a workshop with Oliy Cart who make work for young audiences – like I do. We were talking about how you draw an audience into the start of a show. We were particularly thinking about how with young audiences this might be an unknown experience. It could be the first time san audience member had experienced a show. Obviously, how it begins is dependent on the content of the show. But think for a moment about the kinds of beginnings of shows you have been in or seen.
How would you categorise them? For instance: One of my current shows for young people the performers are ‘asleep’ on the stage so that the young audience can come in and look a round and look at the performers. This is to try to have the beginning as un intimidating as possible.
In another work (Passing 1: I right my own story) I have done (not for young audiences) the performance start with half the cast taking their shoes off like they had just come home after a night out.
I could say that in the first description (my current children’s show beginning) is about getting everything laid out – knowing all the bits involved. Applied to this course maybe it would be about looking at all the dates for things, the handbooks & the blogs having a look round them like sleeping giants you have not yet engaged with but having a look to understand what they might be.The second piece (with the shoes) began with an ending. You could apply that kind of beginning to the course by thinking about what you are building on. To start this course by thinking about what you have done, what you want to build on what good and bad things come with you as baggage. What do you want to take off and what do you want to leave on as you start this new episode?Have a think about the beginnings of shows you have done again and see what they could tell you about beginnings in general. Share these as posts on your blogs (please put links to the post in the comments below). It would be great to hear them because we would read about the kind of shows you’ve been in or the kind of shows you’ve seen/that have influenced you. But it would also be great to hear what they meant to you or what you learnt from the experience.
Adesola
Photo 1: Joe CulletonPhoto 2: Scott Lipiec
How would you categorise them? For instance: One of my current shows for young people the performers are ‘asleep’ on the stage so that the young audience can come in and look a round and look at the performers. This is to try to have the beginning as un intimidating as possible.
In another work (Passing 1: I right my own story) I have done (not for young audiences) the performance start with half the cast taking their shoes off like they had just come home after a night out.
I could say that in the first description (my current children’s show beginning) is about getting everything laid out – knowing all the bits involved. Applied to this course maybe it would be about looking at all the dates for things, the handbooks & the blogs having a look round them like sleeping giants you have not yet engaged with but having a look to understand what they might be.The second piece (with the shoes) began with an ending. You could apply that kind of beginning to the course by thinking about what you are building on. To start this course by thinking about what you have done, what you want to build on what good and bad things come with you as baggage. What do you want to take off and what do you want to leave on as you start this new episode?Have a think about the beginnings of shows you have done again and see what they could tell you about beginnings in general. Share these as posts on your blogs (please put links to the post in the comments below). It would be great to hear them because we would read about the kind of shows you’ve been in or the kind of shows you’ve seen/that have influenced you. But it would also be great to hear what they meant to you or what you learnt from the experience.
Adesola
Photo 1: Joe CulletonPhoto 2: Scott Lipiec
Thank you Adesola. This is most interesting. I have put a response on my blog page dsmgdance.blogspot.com
ReplyDeleteDear Adesola,
ReplyDeleteThank you very much for this post. I also posted a blog for beginnings on my page:
https://jovankazaric.blogspot.com/
Kind regards,
Jovanka
Thank you Adesola for an interesting and insightful read. Please find my posted blog for beginnings.
ReplyDeletehttps://www.myworldof.dance/
Best wishes
Tanith
Dear Adesola,
ReplyDeleteThank you for the interesting and informative read. I have posted 'my beginnings' on my blog.
https://jadenunn1986.blogspot.com/2019/01/beginnings.html
Many Thanks
Jade
Very interesting. The beginning of one performance started with an old lady moving through the aisle at end of overture. Audience members were standing to offer her their seat. Some tutted for her late arrival. As she ascended the stage some thought she was lost or uncertain of her surroundings. It was only as she turned to speak to engage with her audience that the audience realised who she was. Suspense, tension and relief! Or the energetic opening buildings numbers on stage to the climax and then quietly continuing. The opening dance replacing an overture almost. Leaving space stillness or an emptiness with spurts of movement slices of the whole to keep an audience guessing. The opening can say it all in a few minutes as a general synopsis, or provide a few clues. An abstract opening playing with dynamics can be most interesting. Each beginning I feel must include some small taste of what is to follow even if slight. It may even provide the end and work in reverse only realised at the end!! How interesting Adesola!! Thank you!
ReplyDeleteHi Adesola,
ReplyDeleteReading through your blog has prompted me into thinking about how I begin a new academic year. Many of us welcome cohorts of new students, as you do each term at MDX. The 'official' beginning at the school where I work provides a day of opportunities for staff from all departments to collaborate. We experience many different areas of the curriculum through group workshops led by varied staff from dance, vocal, acting and academic departments. This can also be described as the 'energetic' beginning, as it allows people to come together to exchange ideas and discuss methods of personal practice prior to the arrival of new and existing dance students. As we progress into the term, I see the 'effective' beginning taking shape as we develop the ideas we have gained and put them into practice in the studio or lecture/class room. As a faculty, we all teach the same students, therefore I feel it is important to gain as much knowledge as possible in a cross-genre context. I find it interesting to discuss student progress with colleagues from other departments because it opens up new perspectives on transferable knowledge, an area of personal enquiry as I progress into module 3.
I like the idea of three beginnings and will explore it further. Thanks!
Anthea
This comment has been removed by the author.
Deletehttps://argdance.blogspot.com/2019/01/an-experience-of-beginning_29.html
DeleteThis comment has been removed by the author.
ReplyDeletehttps://someofdavesdancebrain.blogspot.com/2019/01/new-beginnings.html
ReplyDeleteThanks for giving us such food for thought Adesola!
ReplyDeleteHaving reflected on your thoughts, I feel that a beginning will always start with a conscious decision to commit or immerse yourself in a process, maybe even before an official beginning- something I touched on in my blog post:
https://jessemapp.blogspot.com/2019/01/beginnings-interpretation.html
Thank you Adesola for this post. Very interesting read! I've seen a performance not so long ago, where the dancers came one by one on stage and just sat or stood in the front of the stage and looked at the audience. Not in a "performing" way, but rather just like people looking at other people, making a connection. I really liked that, as it gave me the chance to connect to the artists as human beings, before connecting to them as performers. It also made me think, what a luxury it is to being able to take time with a beginning, not having to rush it. I also like all the possibilities beginnings hold!
ReplyDeleteHere my blog: https://krabumbel.blogspot.com/2019/01/beginnings.html
Interesting way of thinking about beginning and beginnings. My experience feels quite a long way from this, explained in my post.
ReplyDeleteRhoda
http://rhodmapp.blogspot.com/
I loved reading this post. My experience has been more painful and less glorious, with great gratitude with the experience of this Masters Degree.
ReplyDeleteAn affectionate greeting to all!
Nella
https://marianelladesanti.blogspot.com/2019/02/of-endings-and-beginnings-as-we-dance-on.html
Great to read everyone’s posts and get an incite into their experiences. I have used a work event to reflect on today...
ReplyDeletehttps://loadsmoore.blogspot.com/2019/02/perhaps-greatest-beginning-part-1.html?m=1#comment-form
Wonderful to read everyones different take and all hear about all your experiences.. I have looked at the beginning of the term and the beginning of the musical I work on
ReplyDeletehere is my post
https://lindacolligan-mapp.blogspot.com/2019/02/back-to-beginning.html
Thanks for this, Adesola, this was such an interesting read! I'd not thought about beginnings in this way before, but your blog post had me reflecting.
ReplyDeleteI've including my own thoughts on beginnings and touched on my personal experiencesin my blog post here:
https://bethangtrueman.blogspot.com/2020/01/thinking-about-beginnings.html